PERSONAL COSMOGONY

ETHICAL-MORAL PRINCIPLES

AESTHETIC BIASES

THEOLOGIES AND PHILOSOPHIES

COMPOSITIONAL STRUCTURE OF SUBJECTIVE EXISTENCE

MAPPED RELATION OF REFLEXIVE COMPREHENSION

PERPETEIA -- SOCIALITY

MOSTLY OUTLINED ALREADY IN NOTEBOOK: AN ECOLOGICAL NODAL FRAMEWORK GRAPHICALLY DEPICTED THROUGH THE SCROLL META-FORM

CONFERENCE>MUSIC>TEXT>VIDEO>ETC

MAPPED RELATION TO A SINGLE INDIVIDUAL AS AN INCLUSIVE FEEDBACK LOOP

Ö --SELF IN RELATION TO ABSTRACT AFFECT / ENVIRONMENT

RESEARCH AFFECT THEORY

AESTHETIC SUBLIMATION OF PHYSICAL SPACE -- GEOGRAPHICALLY SPECIFIC

DESCRIPTIVE OF THE PSYCHIC/PSYCHOLOGICAL IMPACT OF AN ENVIRONMENT

VARIOUS GENRE-DIALECTS AND PALLETTIZED TEXTURES

EXPERIENCE>SKETCH>RUMINATION>SOLIDIFICATION>CONDENSATION

VISUAL MUSIC = NOT SYNAESTHETIC EXPERIENTIAL BUT CONCEPTUALLY

MAPPED RELATION TO PLACE, THE PHYSICAL, THE RESONANCE OF LANDSCAPE

COLLAGES -- STATIC VISUAL SYSTEM OF UNIFIED KNOWLEDGE

CHART THE DETAILS OF THE PROCESS:

IDEA>RESEARCH>ARTICULATION>BOOK>DIGESTION>SORTING (MANY SCALES OF COMPLEXITY)>COMPOSITION ON TABLE>COMPOSITION ON PAGE> SOLIDIFICATION>CONTEXTUALIZATION IN SERIES>CONTEXTUALIZATION IN ENTIRETY

SHOULD INCORPORATE NODES OF THE PROCESS AS WELL AS IMAGE-CONTENT AS ONE REFERENCES THE OTHER IN REPRESENTATION AND FORM

WEBSITE -- DYNAMIC VISUAL SYSTEM OF DISPARATE NONKNOWLEDGE

SIMILAR PROCESS TO BOOK COLLAGES BUT SPECIFIC TO THE INTERNET-AS-MEDIUM

DATA-MINING SCHEMATIC

WEBSITE CONSTRUCTION SCHEMATIC

INSERTION OF PERSONAL COSMOGONY AND POETIC WORD VARIABLE

MEDITATIONS ON THE DANGERS OF PHOTOGRAPHY

DELINEATE DIFFERENCES BETWEEN INNOVATION AND CREATION, AUTOMATION AND INTENTION, MONO-OPTICAL-CENTRISM, THE UNACKNOWLEDGED PROTRUDING TACTILITY OF VISION THAT IS SEVERED BY THE MECHANICAL EYE

PROBLEMATIC IDEAS OF FUTILITY/WORTH, PRESENCE/DISTANCE, DOCUMENTARY (DOCUMENTATION VS REALITY), ONTOLOGY (TRUTH) AND BEAUTY

BEAUTY AS AESTHETIC VS IDEOLOGY?

IF IT'S NOT ART THEN WHAT DO YOU CALL IT? SHIT, DEFECATION, FAT ON THE BODY OF WHICH I AM A PART, EXCESS, WASTE, CANCER TO THE CORPUS

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