053

OUTLINE FOR A BOOK OF ENERGY

seyðisfjörður

  1. TABLE OF CONTENTS

    a. COMPOSED OF APPROPRIATED CONTENTS FROM OTHER BOOKS: REICH, MILLER, DOSTOEVSKY, DERRIDA, DE CHARDIN, STEINER, CALVINO, BORGES b. FOOTNOTES TO THE BACK OF THE BOOK

  2. FOOT NOTES

    a. SYMBOLS USED INSTEAD OF NUMBERS OR LETTERS

    b. QUOTATIONS PUT THROUGH THE BLENDER

    c. POETIC FRAGMENTS AND REDIRECTIONS INSERTED

    d. SYMBOLS SPREAD THROUGHOUT THE BOOK -- ASSOCIATED TO IMAGES

    e. REPEATED SYMBOLS

  3. CRYPTOGRAPHY OF THE MIND

    a. LETTERS/GLYPHS COLLECTED INTO A TABLE TAXONOMY

    b. MOLECULAR UNITS OF EXISTENTIAL CONCENTRATION

    c. LETTER>SOUND>FREQUENCY

    d. LETTER>WORD>LANGUAGE

    e. GLYPH>PICTOGRAM>VISION

    f. FORM>PROPORTION>SYMMETRY>MIND DRAWING ITSELF = TULPA, STUPA, TABULA RASA, ARCHETYPES, COSMIC GEOMETRY g. WRITING>CALLIGRAPHY>STYLE

    h. WRITING>CUNEIFORM>HAND>BODY FEELING ITSELF = BRAILLE, FINGERPRINTS, HIEROGLYPHS i. WORD>NAME>TAXONOMY

    j. NAME > MEANING > BEING

    k. SYMBOL > SYSTEM > MAP > TERRITORY > MODEL

  4. A THEORY OF PALPABLE COLOR FIELDS

    a. HARMONIES > MIXING > GRADIENTS

    b. COLOR -- FREQUENCY + FORMAL SYSTEM OF RADIATION (PARTICLE/WAVE OSCILLATION) = PHYSICAL THEORY OF COLOR TACTILITY c. NON-VISUAL SENSE OF CHROMA = HEAT, TELEKINESIS (FEELING BEING SEEN, SENSE IN THE EXPANDED FIELD), PSYCHIC RESIDUES (ORGONE CONDENSATION, BACHELARD'S POETIC OF PHYSICAL OBJECTS AFFECTING MEMORY), PSYCHOSOMATIC (NOT SYNESTHIC) ASSOCIATION = INSTERSTITIAL SENSES BETWEEN THE PRIMARIES (EXTRA-, OMNI-, META-, ALT-,) d. THE PROBLEM OF EVERYTHING/NOTHING IN PHENOMENOLOGY: LIMITATIONS OF THE SENSUAL FIELD

  5. GRADE A DIAGRAMMATIC EXISTENTIAL UNITS OF CONCENTRATION

    a. RUDIMENTARY DIAGRAMS MADE FROM COMBINATIONS OF GLYPHS -- WORD COLLAGE AKA POETRY FRAGMENTS -- AGGLOMERATION OF CONSONANTS b. MICRO-MACRO OSCILLATION OF FOCUS -- FOCAL POINT = CURSOR-Y PROPRIOCEPTION c. 2D FRAMEWORK = WINDOW/PORTAL/FRAME = SCREEN SENSE

    d. GRID LAYOUT = PERCEPTION THROUGH DESIGN LANGUAGE = PRIMORDIAL FORMALISM e. CARTOGRAPHICAL CORPUS > FEELING A COMPRESSION OF MULTISENSORIAL EXPERIENCE INTO A FLATLAND OF MENTAL PROJECTION > CONTAINER FOR GEOGRAPHIC SENSE = WE DRAW THE MAP WHILE IT DRAWS OUR SENSE OF GEOGRAPHY f. SELF AS A UNIT -- MOLECULAR SUBJECTIVITY -- ALGORITHMS OF SELF-MAKING (AUTOPOIESIS) -- CELLULAR AUTOMATA OF THE CELLULATED SELF g. DIFFUSION OF REFLEXIVE CENTER (IMBEDDING, IMPREGNATING) INTO THE SURROUNDING/IMMERSED ECOLOGY = THE SELF AS A MORPHOGENIC PROBABILITY CLOUD h. EPICENTER OF TRANSMUTATION: ALCHEMICAL LIQUIDS OF THE BODY (MUCUS, SALIVA, PHLEGM, SHIT, BREATH/ETHER), TRANSMUTATION OF PHYSICAL STATES (CALIFICATION/MINERALIZATION OF THE BONES, BOILING IRON JUICES OF THE ARTERIES, MYCELLIAL STRANDS OF THE "CENTRAL NERVOUS SYSTEM," THE PRODUCTION OF TISSUES AS THE DEFINING CHARACTERISTIC OF LIFE? i. MANDALAS, TULPAS, SPIRITUAL FORMALISM, TRANSCENDENTAL AESTHETICS, TREE OF LIFE, AXIS MUNDI, "PEOPLING"

  6. GRADE B EUOC : DIMENSIONAL PROJECTION OFF THE FLATLANDS ONTO A 3D PRIMARY FORM

    a. STRATIFICATION : UNIVERSE AS A BODY

    b. RITUALIZED OBJECTS, PHALLIC/YONIC FORMS, COSMIC NAVEL

    c. VESSELS, VASES, URNS, CAPSULES = RELATION TO MEMORY, TRADITION, RITUAL d. HYBRIDIZED MODELS OF HIERCHICAL STRATIFICATION: ATOMIC, CELLULAR, COSMIC (TREE), ONTOLOGICAL PLATEAUS, MILLE PLATEAUX e. INTERACTION OF INTERNAL PROCESSES DETERMINE THE EXTERNAL FORM: CREATION OF THE BODY, THE CODEX OF ALL POSSIBLE FORMS FOUND IN THE METATRON CUBE = LANGUAGE DESCRIBING ITSELF f. ECOLOGICAL FRAMEWORK: TECTONIC SHIFTING (CONTINENTS), OCEAN OF SEPARATION, ATMOSPHERE WHICH COMPARTMENTALIZES/ENCAPSULATES STATIFICATION SUBTERRANEAN AND BIOSPHERIC (NOOSPHERIC) g. UTILIZE TACTILE THEORY OF COLOR: MULTIDIMENSIONAL FOCUS THROUGH FREQUENCY SPACES COMPILING AND COMPACTING INTO

  7. GRADE C EUOC: FORMS PUT INTO SYSTEMATIC RELATION TO EACH OTHER

    a. ORGANIZATION IN SPACE -- "INTERIOR/EXTERIOR DESIGN"

    b. ARCHITECTURAL RENDERINGS: THE OBJECT AS A TEMPLE, HOME, BUILDING, CAVE, DOMICILE, WOMB c. MODEL OF THE OTHER: USEFUL TOOL FOR MENTAL AND PHYSICAL FOCUS : USEFUL ANTI-COMMODITY : PSYCHIC FUNCTIONALISM d. UNIFICATION/CONDENSATION INTO A SINGULARITY: TRANSCENDENTAL WORLDS, LILLIPUTIAN WORLDS-WITHIN-WORLDS

  8. DIGITAL COLLAGES OF EXISTENTIAL UNIT OF CONCENTRATION

    a. ARTWORK MADE FROM INTERNET TEXTURES : BIOLOGICAL, VEGETABLE, MINERAL b. INSERTION OF CONTENT INTO THE PRE-DESCRIBED SYSTEM

  9. SCULPTURES OF ENERGY CONDUITS AS FUNCTIONAL OBJECTS: ORGONE GENERATORS

  10. RUBRIC/LEGEND TO ACCOMPANY EACH SYSTEM

    a. MUST BE DESIGNED WITHOUT TEXT (OR USED ONLY POETICALLY)

    i.  ASSOCIATED TO FOOTNOTES WITH SYMBOLS

    b. EXPLAINS INTERRELATIONS OF EACH LEVEL OF FOCUS MAGNIFICATION -- TIES TO TABLE OF CONTENTS c. ASSOCIATES INTERNET IMAGES TO MEANING: LIBERATION!

  11. TAXONOMIES OF FORMS: EXISTENTIAL UNITS OF CONCENTRATION OBSERVED FROM VARIOUS SCALES

    a. KNOLLED PAGES OF ALL POSSIBLE FORMS: GLYPHS, COLORS, BIO/BOT/GEO ARRANGEMENTS, MOLDS, RESINS AND CATALYSTS, PRIMARY FORMS, PIECES OF OTHER ORGONE GENERATORS b. GRADIENTS AS HARMONIES AS FREQUENCIES AS WAVES/LENGTHS AS LANGUAGE AS MATERIALS AS MODELS OF THE BODY AS VESSELS OF PSYCHIC FLUIDS DRAWING THEMSELVES THROUGH MATERIALS AS REFLECTIONS OF THE SELF = ETHERIC DOUBLING

PRODUCTION ORDER:

TITLE PAGE

FALSIFIED TABLE OF CONTENTS

THEORY OF TACTILE COLOR -- RUBRIC/LEGEND

LIST OF ILLUSTRATIONS?

GLYPH TAXONOMY

GLYPH COLLAGES

METAGLYPH TAXONOMY

METAGLYPH COLLAGES

DIAGRAMS (SYMBOLS) TAXONOMY

DIAGRAM COLLAGES 2D -- MANDALA FOCAL POINTS

DIAGRAM COLLAGES 3D/4D -- AXIS MUNDI TREES

PRIMARY FORM TAXONOMY

VESSEL FORM TAXONOMY

VESSEL FORM COLLAGES -- RADIANT STRIATIONS

DIGITAL TEXTURE COLLAGES

SCANNED PHYSICAL COLLAGES

SCULPTURE DOCUMENTATION

FOOTNOTES