IF ANYTHING IS TO BE DONE AT ALL

1. RESIDENCY APPLICATIONS

-REVIEW CURRENT DEADLINES, ADD TO LIST

-ANTICIPATE LATER DEADLINES

-WRITE TEXT

2. ORGANIZE DAILY TASKS INTO AN EXECUTABLE PLAN

-TIME DEDICATED TO READING/WRITING, LISTENING/COMPOSING

WATCHING/CAPTURING = BUILDING THE ARCHIVE

-TIME DEDICATED TO UNRAVELING THE MYSTERIES OF THE NOTEBOOKS, COMPILING OLD RESEARCH, WORKING ON THE META-NARRATIVE WALL

-TIME DEDICATED TO NEW RESEARCH DIRECTIONS

*REQUIRES A VISUAL PLANNING CHART TO TRACK ACTIVITIES

3. LISTS

-BOOKS TO READ, MAPPED IN RELATION

-MUSIC TO HEAR, DIAGRAMMATIC BREAKDOWN OF APPROPRIATED ELEMENTS

-VIDEOS TO WATCH, ORGANIZED BY KEY WORDS

-METACONCEPTUAL DATA = KEY CONCEPTS

-CHARACTERS AND THEIR VOICES = TOWARDS A NEW ASTROLOGY

-DAILY IDEAS = SKETCH PAD FOR TRANSCRIBING SELF-MONOLOGUE

4. ARCHIVE OF PROCESSES: FOR SPECIFIC TASKS

-ARCHIVE = CATEGORICAL SYSTEM OF RELATIONS: META-TEXTUAL NARRATIVE

-MAPPED HIERARCHICALLY: WHAT DEFINES THE DIRECTIONS IS VARIABLE

-PROCESSES = THE CEREBRAL AND TECHNICAL MEANS OF WORKING WITH THE CONTENT OF THE ARCHIVE: PROCESSING MATERIALS OR OTHER PROCESSES

*EMPHASIS ON ORGANIZATION: TAGS, AESTHETICS, HIERARCHIES, DISPLAY

4A. WRITING

-PASTICHE LIBRETTO - CHARACTER - SPAWNED FROM READING ANYTHING

-AUTOBIOGRAPHICAL MONOLOGUES - NARRATOR, CHARACTER, META - ORIGINAL WRITING, USUALLY IN RESPONSE TO AN ISOLATED IDEA OR PLACE, DESCRIPTIONS OF CONTEXT

-LETTERS ADDRESSED TO OTHERS - CHARACTER - ACTUAL LETTERS COMPOSED OF PERSONAL ANECDOTES, TAILORED FOR THE CURATED SELECTION OF RECEIVERS

-PRAGMATICS: LISTS, STRUCTURAL NOTES - NARRATOR, META - TEXTS LIKE THIS ONE CREATING STRUCTURE FOR MATRIX OF RELATIONS

4B. MUSIC

-OMNICHORDS - USE UNKNOWN, PROBABLY SIGNIFIES ARCHETYPAL META- EVENTS - DAILY RECORDINGS OF NOVEL CHORD ARCHITECTURES, PURELY EXPERIMENTAL

-PASTICHE OVERTURES - NARRATIVE, SCENIC - APPROPRIATED/COLLAGED ELEMENTS FROM LISTENING LIST, QUOTED DIRECTLY OR REDUCED THROUGH MIDI

-SONIC INTERPRETATIONS OF AFFECT - CHARACTER COMPLEXITY - SONIFICATION OF VISUAL INTERFERENCE PATTERNS, TRANSLATING THE OCEAN OF ENERGY INTO SOUND

-ONE AND MANY VOICES - CHARACTER TIMBRE DISTINCTIONS - EFFECTS APPLIED TO CHARACTER/NARRATOR READING TEXT, SPATIALIZATION AND MULTIPLICATION OF THE SINGULAR VOICE.

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4C. VIDEO

-ANIMATED DIAGRAM SCORES - ILLUSTRATION OF OPERA ARCHITECTURES ON EVERY LEVEL - REFLEXIVE, DISCURSIVE, SUPERIMPOSED

-FOUND FOOTAGE - SEMIOTIC ASSOCIATIONS, EVOCATIONS OF ARCHETYPES, LINGUISTIFICATION OF THE MIND-PROCESS BEING PROJECTED OUT, REPRESENTING CONCRETE REALITY

-ACTED SCENES - FILMED MONOLOGUES IN DIFFERENT SPACES, OF MYSELF AND OTHERS - USED TO DEPICT KEY DRAMATIC/COMEDIC/TRAGIC MOMENTS OF ACTION REQUIRING DEPICTIONS OF THE BODY

-CHOREOGRAPHED MOVEMENTS - PURE MOVEMENT WITHOUT LIBRETTO - ABSTRACTION OF THE BODY INTO DYNAMIC FORCE