an Oakland iteration of the OOFKAUU ensemble. ___ on strings, prepared violins, homemade dulcimers, aeolian harp, prepared table top guitars and basses= extended technique & unique amplification scenarios. ___ on vox, poetics, textiles, crafted objects, female ritual mind. ___ as choreographer, chasm of the mind/body divide, linearity of script, body textures unfurled through era-Area-arias. Produces a drawing to be loomed and woven.